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DIY UK centre | Techie painting terms as used by artist
In painting, impasto (from the Italian for dough) describes areas of the surface of a painting which are heavily built up with paint layers. Impastoed paint is highly textured; brush or palette knife marks are usually clearly evident. The intention is to make the light falling across the painting reflect in a particularly noticeable way. Highlights, or perhaps jewels on a costume, may be heavily impastoed for this reason, as in some of the works of Rembrandt. Later, artists such as Van Gogh employed the technique extensively for decorative and expressive purposes. This is an Italian term that literally means 'light-dark'. In painting the description refers to clear tonal contrasts which are often used to suggest the volume and modeling of the subject depicted. Certain pigments when combined with an oil or oil and resin medium form transparent or translucent paint or glazes. When applied over another colour, generally lighter in tone, they modify that colour but being transparent does not obscure it. A Scumble is a thinly applied paint layer, which is lighter in tone than the underlying colour (as opposed to a glaze, that is darker). A scumble is translucent because of its thinness. A paint mixture scumbled over a dark underlayer will appear cooler and bluer in hue than the same colour over a lighter ground. Underdrawing, underpainting The preliminary technique of blocking in the drawing, composition and establishing tonal values in a painting. Colours rather than tone are sometimes used in the underpainting. Generally this stage is kept basic, leaving finesse and complexity until later stages. Fat over Lean A painting technique which allows the bottom layer of paint to dry before further applications. Fat paint is mixed with oil to create a thick paste while lean paint is thinned with a diluents such as white spirit which helps it dry more quickly. Values: The gradation of tone from light to dark as seen in objects subject to the play of light. Not to be confused with local colour and best observed with squinted eyes. Modeling: The three dimensional representation of form using a pliable substance like clay. In painting the representation of three dimension on a flat surface in a way as to portray form. Narrative: A chosen moment in a story painted so that the viewer may guess what has happened. Handling: The actual execution of the paint, features of composition, the draftsmanship and the colour choose. Brushwork: Stiff bristle brushes charged with paint adding texture and quality, which can be aesthetically pleasing. Artist brushwork is part of his personal style and a most powerful tool in his creations. Composition: The art of combining the elements of a picture into a satisfactory visual painting. In the traditional artist work the task is to project the form into an imaginary depth without losing the effective pattern. Body Colour: Watercolour mixed with white to made it opaque the same effect as gouache and used to heighten the effects of highlights and sometimes used on tinted paper. |
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store-galore.co.uk UK shopping directory for gifts, books, games, music, fashion and sports. Shopping directory carefully designed and organized to make your shopping experience easy, safe and pleasant! art artist, painter in oil painting and watercolour. Features on silhouette art history. The miniature watercolour picture. Romantic artists J.M.W.Turner painter of light, Delacroix and Constable , Famous Impressionist artist; Monet, Pissarro, Renoir, Cézanne, Sisley, Degas. Post Impressionist: Vincent Van Gogh, Gauguin. Back to Top |